On my recent visit to New York City I came upon a educational/performance venue titled the The Homeless Museum of Art. I noticed the stand on West 20th St between 10th and 11th ave in Chelsea at noon…I returned at a quarter to 4. It’s is Director Filip Noterdaeme and his Public Relations Official was a stuffed coyote named Feliz. He was nice man but sometimes tongue and cheek with his analysis of me and the Panamanian woman who sat in the other small chair next to me. I enjoyed the his disertation of our lives and visit…it was like a tour guide telling us what we should know and feel for an art object.
The museum was exhibiting minuscule works such as Goya on Goya as tiny card picture of a Francisco Goya Painting submerged in Goya brand Olive Oil in a small jar. Filip and I had a pleasant exchange of our enthusiasm for Goya food and products. Another favoirte was “Eau d’Abramovic” which is said to be comprised of a block of ice Marina Abramovic who was unknown to until yesterday. The museum showed who the seld described grandmother of performance art is. The bottle of the essence of her performance was titled as Filip Noterdaeme
The purpose of HOMU is a retaliation against the MoMA and institutions like it for high expenditures on facilities and raising prices for the public. The HOMU has been endeavouring against the institution since 2002-present. Despite its gawky street showings and not being near the MoMA I respected that this performance was not a joke and was not lending itself to be pitied or given money…instead self righteous with dark humor. In the website its prescribed a homeless person be given a donation of 5-150 dollars. The museum has gone so far as to also have crashed the opening reception of the new MoMA in 2004.
I went to the MoMA on friday and although I appreciate the collection of work and availability of it I do sense some evilness or self-satisfaction from the institute…even if Guerrilla Girls and O Superman were shown. Professor Kevin Wixted organized a meeting with one of staff of MoMA who also started as intern there so we could gather more info. Maybe I am bitter because I didn’t receive an internship with them last summer or that I realized I don’t want to work for a museum…but I could just sense shit from it when subjects like accepted elitism and corporate model were attached to MoMA. In my mind anything corporate doesn’t have much to do with making art only displaying and selling it. Therefore MoMA shouldn’t;t act like they have a real hand in making anything other than reception. Also certain secrets couldn’t be let out becasue jobs could be endangered. It was like we were meeting the Mafia of Art scene. I wonder if Steve Poleski meant them as well.
I’m a supporter of HOMU and I hope to see their actions on the street again another time I am in town. I’m not sure if the stand is always in the same place but since 2009 its made rounds and has everything a modern art museum should have minus a cafe and bookstore. Winter is coming and the stand may still be there, Filip was cold when I shook his hand to transfer heat.